Williams, Lucy F., William S. Wierzbowski, and Robert W. Preucel. Native American Voices on Identity, Art and Culture: Objects of Everlasting Esteem. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2005.
Reference
- Object[38]
- yes[38]
- american[38]
- blanket[1]
- blanket dress[2]
- bowl[7]
- breechcloth[1]
- cloth[1]
- clovis projectile point[2]
- dance kilt[1]
- dish[2]
- dress[1]
- figurine[3]
- folsom point[2]
- jar[2]
- kachina doll[3]
- manta[2]
- necklace[4]
- painting[2]
- pitcher[1]
- robe[1]
- sash[1]
- seed jar[2]
- storage jar[1]
- acoma pueblo[1]
- arizona[11]
- blackwater draw[3]
- clovis[4]
- cochiti pueblo[5]
- gravel pit[2]
- greater southwest[1]
- hopi[1]
- isleta pueblo[2]
- kawayka'a[1]
- lake canyon[1]
- mammoth pit[1]
- new mexico[28]
- northeast arizona[1]
- oraibi[1]
- san ildefonso pueblo[2]
- san juan pueblo[1]
- santa clara[1]
- santa clara pueblo[4]
- santo domingo pueblo[1]
- southeastern utah[1]
- third mesa[1]
- united states of america[8]
- acoma pueblo[1]
- cliff dweller[1]
- clovis[2]
- cochiti[2]
- cochiti pueblo[1]
- hopi[6]
- isleta[2]
- keresan[2]
- laguna[1]
- navajo[3]
- protohistoric hopi[1]
- pueblo[11]
- san ildefonso pueblo[1]
- san juan pueblo[1]
- santa clara pueblo[4]
- tewa (culture)[5]
- zia[1]
- zuni[1]
- bird[1]
- bowl[3]
- cloud[3]
- deer dance[1]
- feather[1]
- hand[1]
- squash blossoms, dragonflies, ears of corn.[1]
- woman[1]
- acrylic[2]
- cardboard[1]
- chalcedony[1]
- clay[16]
- cochineal dye[2]
- cotton[3]
- edwards chert[4]
- feather[3]
- glass[1]
- goat wool[1]
- homespun wool[1]
- natural dye[1]
- paint[5]
- paper[2]
- pigment[4]
- shell[1]
- silver[3]
- sinew[1]
- stone[1]
- string[2]
- turquoise[1]
- wood[3]
- wool[4]
- chipped[4]
- coiled[3]
- dyed[2]
- embroidered[3]
- engraved[1]
- handspun[2]
- painted[1]
- polychrome[2]
- sikyatki polychrome[3]
- watercolor[1]
- woven[4]
- actual citation[38]
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